After leaving an argument with her father over his disbelief in her anxiety and depression, the main character Amelia Quezon, played by Jhaynehl Fortaleza, performs a rendition of “Supermarket Flowers” by Ed Sheeran. In this version lyrics were revised to fit with Filipinx culture. She is joined by Isang Himig A Capella group in the back. Photo by Danielle Del Rosario
After leaving an argument with her father over his disbelief in her anxiety and depression, the main character Amelia Quezon, played by Jhaynehl Fortaleza, performs a rendition of “Supermarket Flowers” by Ed Sheeran. In this version lyrics were revised to fit with Filipinx culture. She is joined by Isang Himig A Capella group in the back. Photo by Danielle Del Rosario
FSA member Michaela Serafica opened the show with a recitation of a powerful spoken word poem that describes the unwanted and overwhelming feelings from having an anxiety attack. Photo by Danielle Del Rosario
FSA member Michaela Serafica opened the show with a recitation of a powerful spoken word poem that describes the unwanted and overwhelming feelings from having an anxiety attack. Photo by Danielle Del Rosario
Amelia finally confronts her father Enzo, played by Percival Perlas, about the constant challenges of her mental health. Despite his efforts to be more sympathetic, Enzo still struggles to help his daughter and explains to her she is just “overthinking and stressed.” Photo by Danielle Del Rosario
Amelia finally confronts her father Enzo, played by Percival Perlas, about the constant challenges of her mental health. Despite his efforts to be more sympathetic, Enzo still struggles to help his daughter and explains to her she is just “overthinking and stressed.” Photo by Danielle Del Rosario
Pagkakaisa Dance Troupe performed the Tinikling, a traditional Filipinx folk dance that involves four people. As two people beat and slide the bamboo poles on the ground, two dancers keep in time with the beat as they carefully step over and in between the poles. Photo by Danielle Del Rosario
Pagkakaisa Dance Troupe performed the Tinikling, a traditional Filipinx folk dance that involves four people. As two people beat and slide the bamboo poles on the ground, two dancers keep in time with the beat as they carefully step over and in between the poles. Photo by Danielle Del Rosario

The room was dimly lit with a blue haze as the crowd watched from the shadows of the main stage theater. It brightened as the haze disappeared to reveal the cast of over 100 dressed in white. The room was silent as the students put their hands over their hearts to sing the Philippine national anthem.

The 26th annual Pilipino Cultural Celebration (PCC) on April 28-29 is a student-run production hosted by the Filipino Student Association (FSA) of UC Santa Cruz. The name of this year’s production, “Alaala,” means memory in Tagalog. It was dedicated to mental health awareness — particularly depression and anxiety.

“[With] PCC and FSA, we are able to showcase what people of color go through,” said five-year PCC member Percival Perlas, who played a lead role in the production. “In a way, PCC is our mode of telling our story.”

The production involved a planning process which began in fall quarter. Students laid out all the possible themes based on different needs of the community this year. Past topics have been on self-expression, especially for women of color in male-dominated fields.

“As people of color, as a minority group and as underrepresented people in society, it’s important to find a reason to stay [at UCSC] and get a really good education,” said Pilipino Cultural Celebration co-chair Jonathan Acorda. “We want to empower those who feel like their voices are not being heard.”

FSA then discussed, voted on and came to the final decision to focus the production on mental health awareness. The group said it’s important to shed light on mental health, a topic often brushed under the rug — especially in Filipinx culture.

A survey conducted among students age 16 to 24, mostly at the University of the Philippines, revealed more than 50 percent of students who experienced depression felt a lack of understanding from family and friends. For 47 percent, anxiety is the top concern, followed by depression at 40 percent, according to the Association for University and College Counseling Center Directors Annual Survey from 2014-15.

“Mental health is a very serious and deep topic. It’s very relevant not just with Filipinos and Filipino Americans, but college students.” Acorda said. “[It’s] a topic that can resonate with them. Not just the cast related to it, but also the audience that came to watch us.”

The production focused on the character Amelia Quezon, who is barred from college for poor performance and forced to face her mental health after returning home to her overprotective father, Enzo. As Amelia faces her internal conflict, her father struggles to make peace as he reveals the mental health of Amelia’s late mother and her eventual suicide. After coming to a newfound understanding of depression, Enzo improves his relationship with Amelia and supports her as she treats her depression.

“The realities of anxiety and depression are so real,” Perlas said. “That’s why [the story] hit home for so many people in the cast and in the audience. Because we are addressing this reality.”